Op. 2, Variations in B♭ major
Op. 10, 12 Etudes
Op. 11, Concerto in E minor
Op. 21, Concerto in F minor
Op. 22, Polonaise in E♭ major
Op. 24, 4 Mazurkas
Op. 25, 12 Etudes
Op. 26, 2 Polonaises
Op. 27, 2 Nocturnes
Op. 28, 24 Preludes
Op. 30, 4 Mazurkas
Op. 35, Sonata in B♭ minor
Op. 50, 3 Mazurkas
Op. 63, 3 Mazurkas
Op. 64, 3 Waltzes
Compositions
0
Op. 28 No. 4, Prelude in E minor
Sources
- Autograph sketch
- Autograph
- Fontana's copy
- Copy by George Sand
- French edition
- First French edition
- Corrected impression of FE1
- Dubois copy
- Jędrzejewicz Copy
- Stirling copy
- Scherbatoff copy
- German edition
- First German edition
- Revised impression of GE1
- Corrected impression of GE2
- English edition
- First English edition
- Corrected impression of EE1
- Revised impression of EE1a
CGS - Copy by George Sand
| Date: | (VIII 1839-1854) |
| Title: | [Prélude] |
| Dedication: | None |
Copy made by George Sand (photocopy in: K. Kobylańska, Rękopisy utworów Chopina, Cracow 1977), the first of six Preludes copied by the novelist in an extensive album containing pieces by various composers, written by various persons. CGS was probably prepared on the basis of FE2, which is supported by the following arguments:
- compliance in terms of layout (division into lines);
- almost full compliance between both sources in terms of text – the differences may generally be explained by inaccuracies (the
at the beginning of b. 8 having been written too low), oversights (no accent and dynamic hairpin in b. 8-9 or L.H. slurs in b. 13-15 and 17-23) or poor layout decisions (repeat sign used in b. 7); - common characteristic details, e.g. the position and type of the grupetto mark in b. 16, no
in b. 17-18.
Dating – see the Prelude in A minor no. 2.
| Original in: | Pivate collection |
| Shelf-mark: | None |
