Op. 2, Variations in B♭ major
Op. 10, 12 Etudes
Op. 11, Concerto in E minor
Op. 21, Concerto in F minor
Op. 22, Polonaise in E♭ major
Op. 24, 4 Mazurkas
Op. 25, 12 Etudes
Op. 26, 2 Polonaises
Op. 27, 2 Nocturnes
Op. 28, 24 Preludes
Op. 30, 4 Mazurkas
Op. 35, Sonata in B♭ minor
Op. 50, 3 Mazurkas
Op. 63, 3 Mazurkas
Op. 64, 3 Waltzes
Op. 28 No. 3, Prelude in G major
Sources
- Fontana's copy of earlier version
- Autograph
- Fontana's copy
- French edition
- First French edition
- Corrected impression of FE1
- Dubois copy
- Jędrzejewicz Copy
- Stirling copy
- Scherbatoff copy
- German edition
- First German edition
- Revised impression of GE1
- Corrected impression of GE2
- English edition
- First English edition
- Corrected impression of EE1
- Revised impression of EE1a
FC - Fontana's copy
| Date: | (II-III) 1839 |
| Title: | Vingt-quatre Préludes |
| Dedication: | Monsieur Camille Pleyel |
Copy of A made by Julian Fontana (lost, known from a photocopy) as the basis for the first German edition. As a whole, the copyist duplicated the text of A carefully, nonetheless making a number of mistakes, e.g. he overlooked a R.H. slur in bars 9-10 or a 
hairpin in bars 17-18 and, first of all, he wrote cresc. instead of dim. in bar 31 (for a list of more important flaws of FC in the whole Op. 28 see Prelude in C no. 1). In bar 9 Fontana wrote in a 
raising c1 to c
1, overlooked by Chopin. Chopin did not correct FC.
The raising c2 to c2 in bar 7 was added by the long-time owner of the manuscript, Hermann Scholtz (for his other additions see Prelude in C no. 1).
| Original in: | The Fryderyk Chopin Institute Library, Warsaw |
| Shelf-mark: | F. 503 |
