Op. 2, Variations in B♭ major
Op. 10, 12 Etudes
Op. 11, Concerto in E minor
Op. 21, Concerto in F minor
Op. 22, Polonaise in E♭ major
Op. 24, 4 Mazurkas
Op. 25, 12 Etudes
Op. 26, 2 Polonaises
Op. 27, 2 Nocturnes
Op. 28, 24 Preludes
Op. 30, 4 Mazurkas
Op. 35, Sonata in B♭ minor
Op. 50, 3 Mazurkas
Op. 63, 3 Mazurkas
Op. 64, 3 Waltzes
Op. 28 No. 3, Prelude in G major
In FCI the slurring of the motif in b. 4-6 and 13-15 shows its microstructure as a combination of two motifs of ornamental origin:
- the nature of the first one, which is an echo of the one heard a bar before, is of a note preceded by a short grace note,
- the second one is a note preceded by a long grace note, appoggiatura.
In essence, the entire phrase could be written down as follows (the rhythmic values are halved): 
.
In the final version, Chopin simplified the slurring in accordance with the natural course of music.
See also b. 28-32.
Compare the passage in the sources »
category imprint: Differences between sources; Corrections & alterations
notation: Slurs
