mUltimate Chopin

Op. 43, Tarantella

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Page: 
Source: 
p. 1, b. 1-27
p. 1, b. 1-27
p. 2, b. 28-57
p. 3, b. 58-87
p. 4, b. 88-117
p. 5, b. 118-147
p. 6, b. 148-178
p. 7, b. 179-208
p. 8, b. 209-239
p. 9, b. 240-270
Main text
Main text
A - Autograph
FC3 - Third Fontana's Copy
FE - French Edition
FE1 - First French edition
FED - Dubois copy
GE - German Edition
GE1 - First German edition
GE2 - Second German edition
GE3 - Third German edition
GE4 - Fourth German edition
EE - First English edition
IE - First Italian edition
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Graphic ambiguousness
Interpretations within context
Differences between sources
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Source & stylistic information
Notation
All
Pitch
Rhythm
Slurs
Articulation, Accents, Hairpins
Verbal indications
Pedalling
Fingering
Ornaments
Shorthand & other
Differences
No differences
A - Autograph
FC3 - Third Fontana's Copy
FE - French Edition
FE1 - First French edition
FED - Dubois copy
GE - German Edition
GE1 - First German edition
GE2 - Second German edition
GE3 - Third German edition
GE4 - Fourth German edition
EE - First English edition
IE - First Italian edition
Importance
All
Important
Main
Undo Clear
Prezentacja
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copy link Main text

  b. 25

A, FC3 (→FE→IE), GE

EE

In the second half of the bar all sources except EE have a crotchet and quaver e in L.H. In EE there is a dotted crotched (and no quaver), which most probably is an editorial revision of the error made by the copyist who omitted the quaver.

Compare the passage in the sources»

category imprint: Differences between sources

issues: EE revisions, Inaccuracies in FC

notation: Rhythm