mUltimate Chopin

Op. 43, Tarantella

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Page: 
Source: 
p. 6, b. 148-178
p. 1, b. 1-27
p. 2, b. 28-57
p. 3, b. 58-87
p. 4, b. 88-117
p. 5, b. 118-147
p. 6, b. 148-178
p. 7, b. 179-208
p. 8, b. 209-239
p. 9, b. 240-270
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Main text
A - Autograph
FC3 - Third Fontana's Copy
FE - French Edition
FE1 - First French edition
FED - Dubois copy
GE - German Edition
GE1 - First German edition
GE2 - Second German edition
GE3 - Third German edition
GE4 - Fourth German edition
EE - First English edition
IE - First Italian edition
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A - Autograph
FC3 - Third Fontana's Copy
FE - French Edition
FE1 - First French edition
FED - Dubois copy
GE - German Edition
GE1 - First German edition
GE2 - Second German edition
GE3 - Third German edition
GE4 - Fourth German edition
EE - First English edition
IE - First Italian edition
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  b. 161

 

In A there are no augmentation dots on the c1-e1 third at the beginning of b. 153 (and also 161, marked as repeat). The corresponding b. 149 (157) is illegible due to the charred manuscript, and threre are no reasons to differentiate them, in which case all augmentation dots in FC3 (→FE→IE), GE and EE must have been added by the copyist, who decided they had been omitted by Chopin (as some such omissions were traced in Chopin's A).

See b. 153

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category imprint: Interpretations within context; Differences between sources; Editorial revisions

issues:

notation: Rhythm