Page: 
Source: 
p. 9, b. 156-179
p. 1
p. 2
p. 3, b. 1-27
p. 4, b. 28-55
p. 5, b. 56-83
p. 6, b. 84-107
p. 7, b. 108-131
p. 8, b. 132-155
p. 9, b. 156-179
p. 10, b. 180-202
p. 11, b. 203-225
p. 12, b. 226-247
p. 13, b. 248-270
p. 14
GE1 - First German edition
Main text
A - Autograph
FC3 - Third Fontana's Copy
FE - French Edition
FE1 - First French edition
FED - Dubois copy
GE - German Edition
GE1 - First German edition
GE2 - Second German edition
GE3 - Third German edition
GE4 - Fourth German edition
EE - First English edition
IE - First Italian edition
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A - Autograph
FC3 - Third Fontana's Copy
FE - French Edition
FE1 - First French edition
FED - Dubois copy
GE - German Edition
GE1 - First German edition
GE2 - Second German edition
GE3 - Third German edition
GE4 - Fourth German edition
EE - First English edition
IE - First Italian edition
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  b. 164

 

 

We present the Es1-Es octave at the beginning of b.164 in LH based on A, FC3 (→FEIE) and EE. In GE the octave is replaced by a subsequently repeated chord. The authenticity of this version seems questionable, as Chopin's correction  [KF1] is little probable and GE version must be ruled out. It may have been the copyist or engraver who erroneously replaced this bar with one of the two subsequent bars. The A notation, where this bar, marking a new part, is notated at the end of the line may well result in such errors.

Compare the passage in the sources »

category imprint: Differences between sources

issues: Errors in GE

notation: Pitch