mUltimate Chopin

Op. 43, Tarantella

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b. 34

composition: Op. 43, Tarantella

..

In EE there is redundant  before g.1

category imprint: Differences between sources; Editorial revisions

issues: EE revisions

b. 34

composition: Op. 43, Tarantella

..

We add cautionary  before the c2 crotchet in RH.

category imprint: Editorial revisions

b. 34

composition: Op. 43, Tarantella

A, FC3 (→FE), EE, GE2 (→GE3→GE4)

GE1

IE
..

In GE1 there is no d1 crotchet in the second half of the bar. Most probably it was left out by the cpyist in [FC1] as there is an identical error in b. 50, which suggests it was made while copying A in which b. 50 is marked as the repetition of b. 34 where we see edits in the place in question.

category imprint: Differences between sources

issues: Errors of FC

b. 38

composition: Op. 43, Tarantella

..

In A, FC3, GE1 (→GE2→GE3)  diminishing g1 to g1 in RH was omitted. 

category imprint: Differences between sources

issues: Omission of current key accidentals

b. 41

composition: Op. 43, Tarantella

A, FC3 (→FE→IE), EE, GE1 (→GE2→GE3)

More probable interpretation

Less probable interpretation

GE4
..

Given that there is g in the previous and next bar we may assume that the inner note of the chord in the second half of b. 25 per Chopin's intention was supposed to be g as well, and Chopin must have overseen . However, the version with g is no less satisfactory in musical terms, hence, assuming that Chopin's notation is correct we propose it for the main text.

category imprint: Interpretations within context; Differences between sources

issues: GE revisions , Omission of current key accidentals