



b. 133-147
|
composition: Op. 43, Tarantella
..
In A and FC3 bars 133-147 are not written out and are replaced with numbers 1-16, which in fact means a repetition of bars 85-99 just like in corresponding bars 100-115. category imprint: Differences between sources; Source & stylistic information issues: Abbreviated notation of A |
|||
b. 133
|
composition: Op. 43, Tarantella category imprint: Differences between sources; Editorial revisions issues: EE revisions |
|||
b. 134
|
composition: Op. 43, Tarantella
..
In A intitial b category imprint: Differences between sources issues: Inaccurate note pitch in A , Errors of FC |
|||
b. 135
|
composition: Op. 43, Tarantella
..
We add cautionary category imprint: Editorial revisions issues: EE revisions |
|||
b. 135
|
composition: Op. 43, Tarantella
..
In A there is no category imprint: Interpretations within context; Differences between sources issues: Accidentals in different octaves |