



b. 122
|
composition: Op. 43, Tarantella
..
In A, GE1 (→GE2→GE3) crotchets on the second beat in RH are not dotted. Compare annotation in b. 4. category imprint: Differences between sources |
|||
b. 122
|
composition: Op. 43, Tarantella
..
In all sources except A the note h in LH is just a quaver. Based on A we present the version with a crotchet stem and an augmentation dot. category imprint: Differences between sources issues: Inaccuracies in FC |
|||
b. 123
|
composition: Op. 43, Tarantella
..
In A the dyed on the first beat of RH is made up of crotchets without augmentation dots. Compare annotation in b. 4. category imprint: Differences between sources |
|||
b. 123
|
composition: Op. 43, Tarantella
..
In A the c1-c2 octave on the second beat in RH is not dotted. In the remaining sources an augmentation dot was added. Compare annotation in b. 4. category imprint: Differences between sources |
|||
b. 123
|
composition: Op. 43, Tarantella
..
In GE accent on the second beat of the bar must have been mistakenly omitted. category imprint: Differences between sources issues: Inaccuracies in GE |