Issues : Errors of A
|
b. 47
|
composition: Op. 43, Tarantella
..
In A the last note in the bar in the LH part is not dotted. In the copies and subsequent editions the augmentation dot was supplemented. category imprint: Differences between sources issues: Rhythmic errors , Errors of A |
|||||
|
b. 48
|
composition: Op. 43, Tarantella
..
In all sources exept GE4 and EE the crotchet beginning the second half of the bar in RH is mistakenly notated without an augmentation dot. Compare annotation in b. 4. category imprint: Differences between sources issues: Rhythmic errors , Errors of A |
|||||
|
b. 79-80
|
composition: Op. 43, Tarantella
..
In EE the slur over the LH progression extends over to the first chord of b. 80. In GE the slur extends over to the end of the forst beat in b. 80. In A the slur was most probably mistakenly omitted. We notate the slur based on the correct notation in corresponding b. 71. category imprint: Differences between sources issues: EE revisions , GE revisions , Errors of A |
|||||
|
b. 84
|
composition: Op. 43, Tarantella
..
In A and FC3 there is no category imprint: Interpretations within context; Differences between sources issues: Omission of current key accidentals , Errors of A , Authentic corrections of FE |
|||||
|
b. 91
|
composition: Op. 43, Tarantella
..
In A there is no category imprint: Interpretations within context; Differences between sources issues: Errors of A |
on the last quaver diminishing g to 
in LH. This rather obvious Chopin's omission was corrected in all first editions. In the case of 
on a in LH.