Issues : Omission of current key accidentals

b. 41

composition: Op. 43, Tarantella

AFC3 (→FEIE), EE, GE1 (→GE2GE3)

More probable interpretation

Less probable interpretation

..

Given that there is g in the previous and next bar we may assume that the inner note of the chord in the second half of b. 25 per Chopin's intention was supposed to be g as well, and Chopin must have overseen . However, the version with is no less satisfactory in musical terms, hence, assuming that Chopin's notation is correct we propose it for the main text.

category imprint: Interpretations within context; Differences between sources

issues: GE revisions , Omission of current key accidentals

b. 43

composition: Op. 43, Tarantella

..

In A and GE1 (→GE2GE3) there is no  diminishing to g in LH.

category imprint: Differences between sources

issues: Omission of current key accidentals

b. 49

composition: Op. 43, Tarantella

..

In A and GE1, on the second quaver in RH there is no  diminishing c2 to c2

category imprint: Differences between sources

issues: Omission of current key accidentals

b. 84

composition: Op. 43, Tarantella

..

In A and FC3 there is no  on the last quaver diminishing g to  g in LH. This rather obvious Chopin's omission was corrected in all first editions. In the case of FE it may well have been Chopin's correction.

category imprint: Interpretations within context; Differences between sources

issues: Omission of current key accidentals , Errors of A , Authentic corrections of FE

b. 199

composition: Op. 43, Tarantella

category imprint: Differences between sources

issues: Omission of current key accidentals