Issues : Inaccuracies in GE
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b. 17-18
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composition: Op. 43, Tarantella
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No slurs in GE1 (>GE2>GE3) between the first and second beat of b. 17 as well as over the bar line in bars 17-18 and between the first and second beat of b. 18 may well be recognised as an error made by the copyist or engraver. category imprint: Differences between sources issues: Inaccuracies in GE |
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b. 20
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composition: Op. 43, Tarantella
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In GE the slur begins as late as on the second beat of the bar. This is an inaccuracy, which results most probably from unclear notation of slurs in the Fontana copy serving as the basis for this edition (in FC3 b. 20 is the first bar of the system, it is posssible [KF1] had a similar structure). In the main text we adopt notation of A as it raises no doubts.
Compare annotation in b. 7. category imprint: Differences between sources issues: Inaccuracies in GE , Inaccuracies in FC |
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b. 28
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composition: Op. 43, Tarantella
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Only in GE there is no accent on the first beat of the bar, which was probably mistakenly omitted. category imprint: Differences between sources issues: Inaccuracies in GE |
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b. 44
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composition: Op. 43, Tarantella
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Only in GE, most probably as a result of an omission, there is no accent on the first beat of the bar. category imprint: Differences between sources issues: Inaccuracies in GE |
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b. 48
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composition: Op. 43, Tarantella
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In GE the slur begins on the first beat of the bar. This may have resulted from an inaccurate notation of slurs in the copy-text of this edition. Compare annotation in bars 7-8. category imprint: Differences between sources; Editorial revisions issues: Inaccuracies in GE , Inaccuracies in FC |
