Issues : Errors of FC
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b. 51
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composition: Op. 43, Tarantella
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In FC3 (→FE→IE) and EE# there is an a-a octave in the second half of the bar. In A, instead of bars 36-50 the repetition of bars 20-34 is marked and bars 35 and 51 concluding the phrase are notated one after another as 1a and 2a volta. In b. 35 there is an a-a octave, in b. 51 only single a, which may well be related to a distinct shape of the beginning of next phrases - forte octave in b. 36 and piano figuration in b. 52. While writing FC3, the copyist must have mistakenly rewritten twice (bars 35 and 51) the version Chopin intended for b. 35. GE is in compliance with A. category imprint: Differences between sources issues: Errors of FC |
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b. 59
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composition: Op. 43, Tarantella
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In all sources except A the copyist omitted an accent on the first beat of the bar. category imprint: Differences between sources issues: Errors of FC |
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b. 67
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composition: Op. 43, Tarantella
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In all sources except A there is no accent on the first beat of the bar. Compare annotation in b. 59. category imprint: Differences between sources issues: Errors of FC |
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b. 108
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composition: Op. 43, Tarantella category imprint: Interpretations within context; Differences between sources; Editorial revisions issues: EE revisions , GE revisions , Errors of FC |
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b. 134
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composition: Op. 43, Tarantella
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In A intitial b in LH in b. 86 (and in corresponding bars 102 and 134 as in the manuscripts repetitions of this phrase are not written out with notes) is notated slightly two low, so in FC3 we find a three times. This error was corrected in FE (→IE) (not too prescisely however as b was notated in bars 86 and 102, but not in b. 134). In b. 86 a found its way into GE1 (→GE2) (in GE3 changed into b). category imprint: Differences between sources issues: Inaccurate note pitch in A , Errors of FC |
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