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b. 98

composition: Op. 43, Tarantella

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In all sources except EE nd GE4 there is redundant  on in LH.

category imprint: Differences between sources; Editorial revisions

issues: Cautionary accidentals

b. 100-115

composition: Op. 43, Tarantella

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In A and FC3 bars 100-115 are marked 1-16 as the repetition of bars 84-99. In A the upper voice is notated (marked) in b. 100, whereas in FC3 the abbreviation starts in b. 101 marked as 2.

category imprint: Differences between sources; Source & stylistic information

issues: Abbreviated notation of A

b. 100

composition: Op. 43, Tarantella

A, FC3 (→FEIE), EE, GE1 (→GE2GE3)

Our proposed variant

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In all sources except GE4 there is no accent on the first beat of b.100. This most probably results from the fact that b. 100 is only partly written out in both A and FC3 due to the repetition of the preceding part.

category imprint: Interpretations within context

b. 100

composition: Op. 43, Tarantella

A, FC3 (→FEIE), EE

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In GE there is no  dynamic marking.

category imprint: Differences between sources

issues: Inaccuracies in GE

b. 100

composition: Op. 43, Tarantella

No tie in A, FC3 (→FEIE), GE

Tie in EE

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In EE the tie extending cin the middle voice was arbitrarily added.

category imprint: Differences between sources

issues: EE revisions