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b. 50-51

composition: Op. 43, Tarantella

GE2 (→GE3→GE4)

In GE2 (→GE3→GE4) there is an arbitrarily notated slur connecting d¹in b. 50 with c¹in the following bar.

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category imprint: Differences between sources; Editorial revisions

issues: GE revisions

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b. 50

composition: Op. 43, Tarantella

A, FC3 (→FE→IE), EE, GE2 (>GE3>GE4)

GE1

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category imprint: Differences between sources

issues: Errors of FC

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b. 51

composition: Op. 43, Tarantella

A, GE

FC3 (→FE→IE), EE

In FC3 (→FE→IE) and EE# there is an a-a octave in the second half of the bar. In A, instead of bars 36-50 the repetition of bars 20-34 is marked and bars 35 and 51 concluding the phrase are notated one after another as 1^a and 2^a volta. In b. 35 there is an a-a octave, in b. 51 only single a, which may well be related to a distinct shape of the beginning of next phrases - forte octave in b. 36 and piano figuration in b. 52. While writing FC3, the copyist must have mistakenly rewritten twice (bars 35 and 51) the version Chopin intended for b. 35. GE is in compliance with A.