Select: 
Category
All
Graphic ambiguousness
Interpretations within context
Differences between sources
Editorial revisions
Corrections & alterations
Source & stylistic information
Slurs
All
Pitch
Rhythm
Slurs
Articulation, Accents, Hairpins
Verbal indications
Pedalling
Fingering
Ornaments
Shorthand & other
Importance
All
Important
Main


Slurs

b. 195-196

composition: Op. 43, Tarantella

 
 
..

In FE (→IE) and GE there is no slur over 195-196 bar line in RH.

category imprint: Differences between sources

issues: Inaccuracies in GE , Inaccuracies in FE

b. 196-197

composition: Op. 43, Tarantella

category imprint: Graphic ambiguousness; Differences between sources

b. 204-206

composition: Op. 43, Tarantella

 
 
..

In GE4 a slur was arbitrarily added over bars 204-206. 

category imprint: Differences between sources; Editorial revisions

issues: GE revisions

b. 210-211

composition: Op. 43, Tarantella

 
 
..

In GE4 there is an additional slur connecting d1 i cdotted crotchets in the middle voice.

category imprint: Differences between sources; Editorial revisions

issues: GE revisions

b. 223-224

composition: Op. 43, Tarantella

 
 
..

In GE3 (>GE4esis tied over to the next bar. In A and FC3 there is a tiny tie on the chord in the second half of b. 223 that must have been left by Chopin by mistake as continuation from previous markings. It does not resemble any of the ties Chopin used. The slur in GE3 (>GE4) is either an arbitrary revision of this editon or - if it was also present in [FC1] - a mistakenly interpreted tie, as described above.

category imprint: Differences between sources; Editorial revisions

issues: Inaccurate slurs in A , GE revisions