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Op. 43, Tarantella

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Issues : GE revisions

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b. 207-208

composition: Op. 43, Tarantella

 
 
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In GE3 (→GE4) e2 was arbitrarily tied to the next bar.

category imprint: Differences between sources; Editorial revisions

issues: GE revisions

b. 210-211

composition: Op. 43, Tarantella

 
 
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In GE4 there is an additional slur connecting d1 i c1 dotted crotchets in the middle voice.

category imprint: Differences between sources; Editorial revisions

issues: GE revisions

b. 217

composition: Op. 43, Tarantella

 
 
 
 
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Given g in the previous and next bars, we may assume that also the middle note of the chord in the second half of b. 25 was intended by Chopin to be g and he must have overlooked . However, the g version is no less musically satisfactory, and so, assuming Chopin did not make a mistake, we provide this version for the main text.

category imprint: Interpretations within context; Differences between sources

issues: GE revisions , Omission of current key accidentals

b. 223-224

composition: Op. 43, Tarantella

 
 
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In GE3 (>GE4) es2 is tied over to the next bar. In A and FC3 there is a tiny tie on the chord in the second half of b. 223 that must have been left by Chopin by mistake as continuation from previous markings. It does not resemble any of the ties Chopin used. The slur in GE3 (>GE4) is either an arbitrary revision of this editon or - if it was also present in [FC1] - a mistakenly interpreted tie, as described above.

category imprint: Differences between sources; Editorial revisions

issues: Inaccurate slurs in A , GE revisions

b. 229

composition: Op. 43, Tarantella

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We add cautionary  before g in the RH part. Similar addition was made in GE4.

category imprint: Differences between sources; Editorial revisions

issues: GE revisions