b. 177
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composition: Op. 43, Tarantella
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In A there is no lowering c1 to c1 and f1 to f1 in the chord of the first beat of LH. category imprint: Interpretations within context; Differences between sources issues: Errors of A |
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b. 178
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composition: Op. 43, Tarantella
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The chord on the first beat of LH in A, FC3 (→FE→IE) is notated as a crotchet without an augmentation dot and hence we present it this way in in the main text. In GE there are dotted crotchets in this place, however, a quaver rest was not deleted. In all the above sources there is no before g. In EE d1 was arbitrarily changed to b, which must have been an error. category imprint: Interpretations within context; Differences between sources issues: Inaccuracies in GE , EE inaccuracies |
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b. 178
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composition: Op. 43, Tarantella
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We add cautionary before c2 in RH. A similar addition was made in EE. category imprint: Differences between sources; Editorial revisions issues: EE revisions |
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b. 178-179
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composition: Op. 43, Tarantella
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In FE (→IE) diminuendo begins on the second beat of the bar. In EE it begins on the second quaver of the bar. In the main text we provide a version compatible with A, FC3 and GE. category imprint: Differences between sources issues: Scope of dynamic hairpins |
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b. 180
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composition: Op. 43, Tarantella
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In EE was arbitrarily added at the beginning of the bar. category imprint: Differences between sources; Editorial revisions issues: EE revisions |