Op. 2, Variations in B♭ major
Op. 10, 12 Etudes
Op. 11, Concerto in E minor
Op. 21, Concerto in F minor
Op. 22, Polonaise in E♭ major
Op. 24, 4 Mazurkas
Op. 25, 12 Etudes
Op. 26, 2 Polonaises
Op. 27, 2 Nocturnes
Op. 28, 24 Preludes
Op. 30, 4 Mazurkas
Op. 35, Sonata in B♭ minor
Op. 50, 3 Mazurkas
Op. 63, 3 Mazurkas
Op. 64, 3 Waltzes
(Op. 4), Sonata in C minor
Op. 28 No. 13, Prelude in F♯ major
Sources
- Autograph
- Fontana's copy
- French edition
- First French edition
- Corrected impression of FE1
- Dubois copy
- Jędrzejewicz Copy
- Stirling copy
- Scherbatoff copy
- German edition
- First German edition
- Revised impression of GE1
- Corrected impression of GE2
- English edition
- First English edition
- Corrected impression of EE1
- Revised impression of EE1a
FE1 - First French edition
| Publisher: | Adolphe Catelin et Cie |
| Date: | VIII 1839 |
| Plate number: | Ad. C. (560) et Cie |
| Title: | 24 Préludes |
| Dedication: | Son ami Camille Pleyel |
First French edition based on A, in which the whole cycle of Preludes was divided in two books, 12 pieces each. Chopin did not participate in its preparation – proofreading of FE1, which included supplemented accidentals and pedaling, was conducted by Julian Fontana. For a general description of FE1 in the entire Op. 28 – see Prelude in C no. 1.
In this Prelude the most significant correction was the introduction of the correct G
at the beginning of the 2nd half of b. 16 – in A the note was written too low, as a result of which it was initially printed as F, which is evidenced by visible traces of corrections performed in print. Out of the defects, one can mention the overlooked R.H. slur in b. 7.
| Original in: | Bibliothèque Nationale de France, Paris |
| Shelf-mark: | Ac.p. 2710 |