mUltimate Chopin

Op. 28 No. 13, Prelude in F♯ major

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b. 21

composition: Op. 28 No. 13, Prelude in F♯ major

Fingering written into FED

No teaching fingering
..

In the main text we include the fingering entered into FED (coming from Chopin). The same applies to b. 22 and 26.

category imprint: Differences between sources

issues: Annotations in teaching copies , Annotations in FED

b. 21

composition: Op. 28 No. 13, Prelude in F♯ major

..

The crossing-out visible in A allows us to decipher the initial version of the last beat of the bar – it was b1, repeated in the following rhythm: .

category imprint: Corrections & alterations; Source & stylistic information

issues: Corrections in A , Deletions in A

b. 22

composition: Op. 28 No. 13, Prelude in F♯ major

Fingering written into FED

No teaching fingering
..

category imprint: Differences between sources

issues: Annotations in teaching copies , Annotations in FED

b. 22

composition: Op. 28 No. 13, Prelude in F♯ major

c-g in A (→FE,FC→GE)

e-g in EE
..

The EE version is presumably a Terzverschreibung although it is possible that the engraver mistook the endings of the two halves of bar and put the 11th quaver here.

category imprint: Differences between sources

issues: Errors in EE , Terzverschreibung error

b. 22

composition: Op. 28 No. 13, Prelude in F♯ major

G-g in A (→FC→GE) & FE2 (→EE)

A-a in FE1
..

The FE1 version is undoubtedly a mistake by the engraver, corrected in FE2 (→EE).

category imprint: Differences between sources

issues: Errors in FE , FE revisions