|
b. 6
|
composition: Op. 28 No. 13, Prelude in F♯ major
..
The missing pedalling markings are one of a few oversights of the copyist in this Prelude. category imprint: Differences between sources issues: Errors of FC |
||||||
|
b. 6
|
composition: Op. 28 No. 13, Prelude in F♯ major
..
The category imprint: Interpretations within context; Differences between sources issues: EE revisions , Omissions to cancel alteration , Errors of A , Errors repeated in FE , Errors repeated in EE |
||||||
|
b. 7
|
composition: Op. 28 No. 13, Prelude in F♯ major
..
The slur of A, although perfectly visible, was, nevertheless, overlooked both in FC (→GE) and FE (→EE). category imprint: Differences between sources issues: Errors in FE , Errors of FC |
||||||
|
b. 7
|
composition: Op. 28 No. 13, Prelude in F♯ major
..
In this place, Fontana faithfully reproduced the long grace note of A, which was, however, distorted in GE1. The mistake was rectified in GE2 (→GE3) by changing the crotchet to a common short grace note. category imprint: Differences between sources issues: Errors in GE , GE revisions |
||||||
|
b. 8
|
composition: Op. 28 No. 13, Prelude in F♯ major
..
In the main text we add cautionary accidentals before f category imprint: Editorial revisions |
restoring g
in the 2nd half of the bar is absent in all the sources. It is one of Chopin's most common mistakes. The g
