Op. 2, Variations in B♭ major
Op. 10, 12 Etudes
Op. 11, Concerto in E minor
Op. 21, Concerto in F minor
Op. 22, Polonaise in E♭ major
Op. 24, 4 Mazurkas
Op. 25, 12 Etudes
Op. 26, 2 Polonaises
Op. 27, 2 Nocturnes
Op. 28, 24 Preludes
Op. 30, 4 Mazurkas
Op. 35, Sonata in B♭ minor
Op. 50, 3 Mazurkas
Op. 63, 3 Mazurkas
Op. 64, 3 Waltzes
Op. 28 No. 1, Prelude in C major
One can see a correction in A at the beginning of the bar – Chopin most probably deleted the crotchet e-g-c1-e1 chord and the fermata placed above it. According to us, it means that the final sustained passage was to be written as a common arpeggio (
). Had Chopin wanted to both play this chord and perform the arpeggio, written in semiquavers, he would not have provided it with a fermata, which makes sense only in the last bar.
Compare the passage in the sources »
category imprint: Corrections & alterations; Source & stylistic information
issues: Corrections in A, Deletions in A
notation: Pitch
