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Issues : Corrections in A
b. 5
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composition: WN 37, Lento con gran espressione
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In A1 one can see that the 6th quaver was initially an f category imprint: Corrections & alterations; Source & stylistic information issues: Corrections in A , Accompaniment changes |
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b. 15
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composition: WN 37, Lento con gran espressione
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In A1 one can see a correction of the last semiquaver in the 1st half of the bar, which was initially written as c category imprint: Corrections & alterations; Source & stylistic information issues: Corrections in A , Deletions in A , Enharmonic corrections |
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b. 24
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composition: WN 37, Lento con gran espressione
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e1 in the version of CK (→CB) and EL must be Kolberg's mistake – in A1 one can see that the note was corrected from e1 to c category imprint: Differences between sources; Source & stylistic information issues: Corrections in A , Terzverschreibung error |
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b. 31
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composition: WN 37, Lento con gran espressione
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The traces of a category imprint: Source & stylistic information issues: Corrections in A , Enharmonic corrections |
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b. 44
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composition: WN 37, Lento con gran espressione
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The rhythmic notation of A1 gives rise to doubts in this bar, since in spite of the change of time signature to The rhythm of the sources coming from [A2] is generally unambiguous; although it is only in CB that the notation can be considered correct, minor inaccuracies in the remaining sources do not hamper its interpretation. In the main text we give the text of CJ, completed with a rest for the R.H. part, without which the notation could be misleading. category imprint: Interpretations within context; Differences between sources; Corrections & alterations; Source & stylistic information issues: Corrections in A , Chopin's hesitations , Errors resulting from corrections , Deletions in A , Main-line changes |