Issues : Errors resulting from corrections
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b. 26
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composition: WN 37, Lento con gran espressione
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The initial version of A1 was corrected still in this autograph (inaccurately – the penultimate L.H. quaver, b, remained unchanged), whereas the sources based on [A2] already contain the changed version (regardless of the rhythmic changes). The version of EL may be Kolberg's revision after the analogy with b. 22. category imprint: Differences between sources; Corrections & alterations; Source & stylistic information issues: Errors resulting from corrections , Errors of A , Corrections of AI , Kolberg's revisions , Revisions in EL |
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b. 44
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composition: WN 37, Lento con gran espressione
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The rhythmic notation of A1 gives rise to doubts in this bar, since in spite of the change of time signature to The rhythm of the sources coming from [A2] is generally unambiguous; although it is only in CB that the notation can be considered correct, minor inaccuracies in the remaining sources do not hamper its interpretation. In the main text we give the text of CJ, completed with a rest for the R.H. part, without which the notation could be misleading. category imprint: Interpretations within context; Differences between sources; Corrections & alterations; Source & stylistic information issues: Corrections in A , Chopin's hesitations , Errors resulting from corrections , Deletions in A , Main-line changes |
, the bar contains 5 crotchets. Initially, Chopin most probably envisioned triplet movement, like in the version of [A2] (→