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b. 61-62
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composition: WN 37, Lento con gran espressione
..
Out of the two versions coming from [A2], we give priority to CK due to its compliance with the unequivocally authentic version of A1. The sharp raising e1 to e category imprint: Interpretations within context; Differences between sources; Corrections & alterations issues: Omission of current key accidentals , Errors of JC , Inaccuracies in JC , Errors in CK |
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b. 61-64
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composition: WN 37, Lento con gran espressione
..
The dynamic and agogic indications of the final four-bar section clearly differ in the particular sources. However, only two basic versions are authentic – A1 and CJ and CK (the differences between both copies based on [A2] concern insignificant details only). The close resemblance of the version of CB to the one of EL is puzzling – according to us, however, the coincidence does not point to a common source, which is contradicted by other numerous differences between these sources, but to a similar way of thinking of Balakirev and the reviser of EL, who strived for simplified notation. category imprint: Differences between sources issues: Balakirev's revisions , Revisions in EL |
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b. 62
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composition: WN 37, Lento con gran espressione
..
In A1 the L.H. part is marked in an abridged manner – with the •/• mark – as a repetition of the preceding bar. category imprint: Source & stylistic information issues: Abbreviated notation of A |
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b. 63
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composition: WN 37, Lento con gran espressione
..
The missing slurs in CK may be explained by the copyist's distraction at the end of the work – he also overlooked the category imprint: Differences between sources issues: Errors in CK |
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b. 63
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composition: WN 37, Lento con gran espressione
category imprint: Differences between sources issues: Errors in CK |
1 & e1 in 
dim. in 
mark. The longer slurs of both hands were added by Balakirev, just like the vast majority of the remaining slurs of 
