Page: 
Source: 
p. 3, b. 59-98
p. 1, b. 1-26
p. 2, b. 27-58
p. 3, b. 59-98
p. 4, b. 99-132
p. 5, b. 133-162
p. 6, b. 163-192
Main text
Main text
AI - Working autograph
AF - Autograph fair-copy
FE - French edition
FE1 - First French edition
FED - Dubois copy
GE - German edition
GE1 - First German edition
GE2 - Second German edition
EE - English edition
EE1 - First English edition
Select notes: 
Category
All
Graphic ambiguousness
Interpretations within context
Differences between sources
Editorial revisions
Corrections & alterations
Source & stylistic information
Notation
All
Pitch
Rhythm
Slurs
Articulation, Accents, Hairpins
Verbal indications
Pedalling
Fingering
Ornaments
Shorthand & other
Differences
No differences
AI - Working autograph
AF - Autograph fair-copy
FE - French edition
FE1 - First French edition
FED - Dubois copy
GE - German edition
GE1 - First German edition
GE2 - Second German edition
EE - English edition
EE1 - First English edition
Importance
All
Important
Main
Prezentacja
Select 
copy link PDF Main text


  b. 92

Quavers in AI & GE

Dotted rhythm in AF (→FEEE)

In the main text we give the dotted rhythm of AF (→FEEE), whose nature corresponds to a Chopinesque improvement. The g2 minim preceded by two quavers somewhat fades into the wave of the crescendo, which reaches its climax thereupon. In turn, preceded by a dotted rhythm, it additionally becomes an important signal, suggesting a breakthrough in the course of music. It seems that the details of the dynamic indications correspond to this difference, i.e. the range of the  hairpin and the presence/absence of a long accent.

Compare the passage in the sources»

category imprint: Differences between sources; Corrections & alterations

issues: Dotted or even rhythm

notation: Rhythm

Missing markers on sources: AF, AI, FE1, FED, GE1, GE2, EE1