In the main text we give the dotted rhythm of AF (→FE→EE), whose nature corresponds to a Chopinesque improvement. The g
2 minim preceded by two quavers somewhat fades into the wave of the crescendo, which reaches its climax thereupon. In turn, preceded by a dotted rhythm, it additionally becomes an important signal, suggesting a breakthrough in the course of music. It seems that the details of the dynamic indications correspond to this difference, i.e. the range of the 
hairpin and the presence/absence of a long accent.
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category imprint: Differences between sources; Corrections & alterations
issues: Dotted or even rhythm
notation: Rhythm