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Issues : Inaccuracies in A
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b. 45-58
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composition: Op. 50 No. 3, Mazurka in C♯ minor
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AI is devoid of pedalling markings in the entire fragment (until b. 91), which does not carry any information about the pedalling itself – Chopin simply did not mark it in the unfinished manuscript; consequently, we do not treat it on a par with the other variants. The category imprint: Differences between sources; Corrections & alterations; Source & stylistic information issues: Inaccuracies in FE , EE inaccuracies , Inaccuracies in A |
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b. 77-88
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composition: Op. 50 No. 3, Mazurka in C♯ minor
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Once again, like in analogous b. 45-57, the category imprint: Differences between sources issues: Inaccuracies in FE , Inaccuracies in A |
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b. 100-101
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composition: Op. 50 No. 3, Mazurka in C♯ minor
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A comparison with other sources, as well as with the notation of both autographs in analogous b. 8-9, suggests that the category imprint: Differences between sources issues: Scope of dynamic hairpins , Authentic corrections of FE , Inaccuracies in A |
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b. 112
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composition: Op. 50 No. 3, Mazurka in C♯ minor
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The lack of both markings – a slur and a staccato dot – is undoubtedly Chopin's oversight in AF (→FE→EE). category imprint: Differences between sources issues: Inaccuracies in A |
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b. 114-115
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composition: Op. 50 No. 3, Mazurka in C♯ minor
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The missing slur is Chopin's oversight in AF (→FE→EE), most probably provoked by the transition to a new line. category imprint: Differences between sources issues: Inaccuracies in A |
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