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b. 86-87
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composition: Op. 50 No. 3, Mazurka in C♯ minor
..
Both versions of the pedalling are most probably authentic; however, it is likely that the two-bar pedal from GE is the version Chopin wanted to forgo, yet he overlooked this place while performing corrections in [AG] (→GE). Due to this reason, in the main text we suggest a variant solution, in which we leave the issue of changing the pedal under the bars to the discretion of the performer. category imprint: Differences between sources; Editorial revisions |
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b. 87
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composition: Op. 50 No. 3, Mazurka in C♯ minor
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The version of AI with triads is the original one, left almost certainly by inadvertence. Its traces can also be seen in AF, in which, however, Chopin changed both chords – differently than in all analogous bars – to sixths. According to us, the change of the chord on the 3rd beat of the bar could have been a mistake; therefore, in the main text we give the unequivocal version of GE, which is compliant with the remaining analogous places. category imprint: Differences between sources; Corrections & alterations issues: Corrections in A , Errors resulting from corrections , Deletions in A , Accompaniment changes |
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b. 88
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composition: Op. 50 No. 3, Mazurka in C♯ minor
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The d category imprint: Differences between sources issues: Errors of A |
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b. 88
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composition: Op. 50 No. 3, Mazurka in C♯ minor
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In the main text we include the category imprint: Differences between sources; Corrections & alterations |
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b. 89
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composition: Op. 50 No. 3, Mazurka in C♯ minor
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The version of GE is most probably erroneous – it was the text of the next bar that was written, in which there is no b category imprint: Differences between sources issues: Errors in GE |
1 note on the 2nd beat of the bar seems to be Chopin's mistake in 
in 
dynamics.