Verbal indications
b. 1
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composition: Op. 50 No. 2, Mazurka in A♭ major
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We replace the Chopinesque abbreviation m.v., currently defunct, with the indication in full wording, i.e. mezza voce. A similar action was performed already in EE. category imprint: Differences between sources; Editorial revisions issues: EE revisions |
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b. 60
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composition: Op. 50 No. 2, Mazurka in A♭ major
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The marking is the first of a number of the indications, the majority of which concern dynamics, added by Chopin in [A2] or in the proofreading of GE. category imprint: Differences between sources; Corrections & alterations issues: Authentic corrections of GE |
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b. 62
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composition: Op. 50 No. 2, Mazurka in A♭ major
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In the main text we include the cresc. marking, which is one of the indications specifying the performance indications introduced in [A2] or perhaps only just in the proofreading of GE1. The latter is indicated by the absence of a respective addition in b. 78, which was probably marked as repetition of b. 62 in [A2], just like in A1 (however, other explanations are also likely, e.g. an oversight of the engraver). category imprint: Differences between sources; Corrections & alterations issues: Authentic corrections of GE |
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b. 68
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composition: Op. 50 No. 2, Mazurka in A♭ major
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The second out of three added by Chopin in [A2] or in the proofreading of GE. category imprint: Differences between sources issues: Authentic corrections of GE |
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b. 74
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composition: Op. 50 No. 2, Mazurka in A♭ major
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Chopin added the cresc. and ritenuto indications in the proofreading of GE1 or in [A2]. category imprint: Differences between sources; Corrections & alterations issues: Authentic corrections of GE |