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] suggested by the editorsIn b. 92 and 96 the Chopinesque pedalling does not take into account the cluster of the g1 delay with its f
1 resolution in any of the sources. Therefore, the composer treated those places differently than in b. 91 and analog. It is difficult to say what the reason for that decision was, whether it was a later introduction of those two delays (see b. 96), a slightly higher register, which caused that the resulting semitone was less noticeable, or another factor. Anyway, in the main text we suggest a notation analogous to the one used in that group of bars. From the practical point of view, the best solution seems to be a pedal change on the 2nd beat of the bar combined with 'harmonic legato' in the L.H., i.e. holding d1 and a with fingers until the pedal change.
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category imprint: Editorial revisions
notation: Pedalling
