Afrag
Main text
Afrag - Autograph fragment
A1 - Autograph fair-copy
FE - French edition
FE1 - First French edition
FE2 - Second French edition
FED - Dubois copy
GE - German edition
GE1 - First German edition
GE2 - Second German edition
EE - English edition
EE1 - First English edition
compare
  b. 92-96

No marking in sources

[] suggested by the editors

In b. 92 and 96 the Chopinesque pedalling does not take into account the cluster of the g1 delay with its f1 resolution in any of the sources. Therefore, the composer treated those places differently than in b. 91 and analog. It is difficult to say what the reason for that decision was, whether it was a later introduction of those two delays (see b. 96), a slightly higher register, which caused that the resulting semitone was less noticeable, or another factor. Anyway, in the main text we suggest a notation analogous to the one used in that group of bars. From the practical point of view, the best solution seems to be a pedal change on the 2nd beat of the bar combined with 'harmonic legato' in the L.H., i.e. holding d1 and a with fingers until the pedal change. 

Compare the passage in the sources »

See b. 91

category imprint: Editorial revisions

notation: Pedalling

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