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Issues : Deletions in A
b. 274-276
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composition: Op. 31, Scherzo in B♭ minor
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The longer phrase mark of FC is the original version copied (somehow inaccurately) from A: in A one can see that when it returned to Chopin after having been copied by Fontana, the composer crossed out the original ending of that phrase mark and added a new ending 2 bars earlier. The long, continuous slur in GE1 results from a misinterpretation of FC, rectified in GE2 (→GE3). category imprint: Differences between sources; Corrections & alterations issues: Corrections in A , Errors in GE , GE revisions , Deletions in A |
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b. 274
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composition: Op. 31, Scherzo in B♭ minor
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In FE (→EE) the g category imprint: Differences between sources; Corrections & alterations; Source & stylistic information issues: Errors in FE , Deletions in A , Errors repeated in EE |
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b. 293
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composition: Op. 31, Scherzo in B♭ minor
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In A there are visible corrections and crossings-out in the R.H. part. Chopin tried a two-part notation there, probably the same as or similar to the one in b. 374. category imprint: Corrections & alterations; Source & stylistic information issues: Corrections in A , Deletions in A |
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b. 294-295
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composition: Op. 31, Scherzo in B♭ minor
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According to us, the presence of an additional slur over the middle R.H. voice is related to the crossings-out visible in A related to the changes of layout: the voice was originally written on the bottom stave. The crossings-out separated the c category imprint: Differences between sources; Editorial revisions; Corrections & alterations issues: Corrections in A , Errors resulting from corrections , Deletions in A |
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b. 303
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composition: Op. 31, Scherzo in B♭ minor
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Both here and in b. 305 Chopin crossed out the category imprint: Corrections & alterations; Source & stylistic information issues: Corrections in A , Deletions in A |