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Issues : GE revisions
b. 13
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composition: Op. 31, Scherzo in B♭ minor
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We add cautionary flats in the main text. The addition was introduced already in GE2 (→GE3). The same applies to b. 145 and 596. category imprint: Differences between sources; Editorial revisions issues: GE revisions |
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b. 18-22
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composition: Op. 31, Scherzo in B♭ minor
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In the main text we give the pedalling entered by Chopin into FC (→GE1). The same applies to analogous b. 150-151 and 601-602, although the difference in the placement of the pedal release mark is noteworthy. GE2 shifted the category imprint: Differences between sources issues: GE revisions , Authentic corrections of FC |
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b. 30-31
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composition: Op. 31, Scherzo in B♭ minor
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The interpretation of the notation of A is problematic here: b. 30 ends the line, and the category imprint: Graphic ambiguousness; Differences between sources; Editorial revisions issues: Long accents , EE revisions , Inaccuracies in FE , Scope of dynamic hairpins , GE revisions , Inaccuracies in FC |
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b. 40
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composition: Op. 31, Scherzo in B♭ minor
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The manuscripts are missing the category imprint: Interpretations within context; Differences between sources issues: Accidentals in different octaves , GE revisions , Omission of current key accidentals , FE revisions , Last key signature sign |
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b. 47-48
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composition: Op. 31, Scherzo in B♭ minor
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Just like in b. 23-24, in FE (→EE) this pair of bars was replaced with a double bar with a two-bar rest marked with the digit 2. In GE1 the bars were not merged, but in each of them both rests were provided with digits 1. A similar notation was introduced in GE3, in which, however, the ones in b. 48 were replaced with twos. In the main text we keep the notation of A (→FC), which is also present in GE2. category imprint: Differences between sources issues: GE revisions , FE revisions |