Slurs
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b. 53-54
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composition: Op. 31, Scherzo in B♭ minor
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The slur of A does not go beyond the bar line, which must be an inaccuracy – cf. similar motifs in b. 55-56, 61-62, 62-63 (L.H.) and 63-64. In the main text we give the slur extended by Chopin in FC (→GE). category imprint: Differences between sources; Corrections & alterations |
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b. 57-58
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composition: Op. 31, Scherzo in B♭ minor
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The beginning of the slur in EE is placed inaccurately; therefore, it is uncertain whether the slur begins from the 1st or 2nd note of b. 58. We adopt the version compliant with the Stichvorlage (FE) and with the analogous passage a line above. In GE2 (→GE3) the slur begins already from the minim in b. 57, just like 8 bars before. category imprint: Graphic ambiguousness; Differences between sources issues: GE revisions , EE inaccuracies |
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b. 60
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composition: Op. 31, Scherzo in B♭ minor
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Both in A and FC the right-hand end of the slur was pulled through to almost the end of b. 60, with a flourish. category imprint: Source & stylistic information issues: Inaccurate slurs in A , Embracing slurs |
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b. 61-62
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composition: Op. 31, Scherzo in B♭ minor
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The beginning of the slur, which was originally placed in A only just over the quaver motif in b. 62-63, was eventually moved by Chopin to the beginning of the preceding bar. category imprint: Corrections & alterations; Source & stylistic information issues: Corrections in A |
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b. 87-88
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composition: Op. 31, Scherzo in B♭ minor
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In the main text we give the slurring written by Chopin in A (→FC→GE1, →FE→EE). The continuous slur in GE2 results from the comparison with the authentic slurring in analogous bars 219-220 and 670-671. In the editors' such a uniformity is not justified in this context. category imprint: Differences between sources issues: GE revisions |
