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Issues : Centrally placed marks
b. 128
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composition: Op. 11, Concerto in E minor, Mvt III
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According to us, a comparison with the dynamic markings in analogous bars 132, 136 and 140 points to an inaccurate placement of the category imprint: Interpretations within context; Differences between sources issues: GE revisions , Centrally placed marks |
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b. 132
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composition: Op. 11, Concerto in E minor, Mvt III
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A comparison with the dynamic markings in analogous bars 136 and 140 points to an inaccurate placement of the category imprint: Interpretations within context; Differences between sources; Editorial revisions issues: Inaccuracies in FE , GE revisions , Centrally placed marks |
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b. 232
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composition: Op. 11, Concerto in E minor, Mvt III
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The position of the category imprint: Editorial revisions issues: Centrally placed marks |
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b. 262
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composition: Op. 11, Concerto in E minor, Mvt III
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When interpreted literally, the authentic indications of dynamic nature do not create a coherent vision – the dolciss. indication appears in the middle of the bar after category imprint: Interpretations within context; Editorial revisions issues: Centrally placed marks |
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b. 355
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composition: Op. 11, Concerto in E minor, Mvt III
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There are no doubts that category imprint: Differences between sources; Editorial revisions issues: GE revisions , Centrally placed marks |