Articulation, Accents, Hairpins
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b. 96
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composition: Op. 11, Concerto in E minor, Mvt III
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The missing wedge in GE must be an oversight. category imprint: Differences between sources issues: Errors in GE |
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b. 100
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composition: Op. 11, Concerto in E minor, Mvt III
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The missing staccato dots in the R.H. part in GE1 (→GE2) are a patent oversight of the engraver, completed in GE3. It is probably the response of oversight of dots, which occurred in FE in the next bar – in both editions, dots were overlooked in the bar ending a line of text (101 in FE, 100 in GE). category imprint: Differences between sources issues: Errors in GE |
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b. 100-103
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composition: Op. 11, Concerto in E minor, Mvt III
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In GE3, all semiquavers were provided with staccato dots. It is a part of a large-scale arbitrary revision of performance indications in this Tutti. Similarly in bars 328-331. category imprint: Differences between sources issues: GE revisions |
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b. 101
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composition: Op. 11, Concerto in E minor, Mvt III
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The missing staccato marks in the 1st half of the bar in FE must be an oversight, completed both in GE and EE. category imprint: Differences between sources; Editorial revisions issues: EE revisions , Errors in FE , GE revisions |
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b. 105-107
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composition: Op. 11, Concerto in E minor, Mvt III
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As part of an arbitrary clarification of articulation, GE3 provided the repeated semiquavers in bars 105 and 107 with staccato marks. category imprint: Differences between sources issues: GE revisions |
