Issues : Differences in fingering
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b. 269-270
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composition: Op. 11, Concerto in E minor, Mvt III
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Both fingerings appearing in the sources are compliant in terms of the 5-4-5 succession of fingers at the top of the passage, typical of Chopin. In the descending part of the passage, FEH gives a crossing-over of the 5th finger, which also belongs to the range of Chopinesque fingering options – cf. the Impromptu in A Major, Op. 29, bar 81. category imprint: Differences between sources issues: Annotations in teaching copies , EE revisions , Differences in fingering , Annotations in FEH |
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b. 362
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composition: Op. 11, Concerto in E minor, Mvt III
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The fingering of FEH determines one of possible continuations of the Chopinesque entry in FED, whereas Fontana's fingering in FE – a different one. In the main text, we take into consideration the entry of FED only, defining the most important element of the passage's fingering – the thumb under. As an alternative solution, we suggest a combination of the fingering of FED with three digits of FEH, which could have been entered by Chopin. category imprint: Differences between sources issues: Annotations in teaching copies , EE revisions , Annotations in FED , Differences in fingering , Annotations in FEH |
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b. 382
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composition: Op. 11, Concerto in E minor, Mvt III
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Both fingerings could be coming from Chopin, yet their possible authenticity is unconfirmed. category imprint: Differences between sources issues: Annotations in teaching copies , EE revisions , Differences in fingering , Annotations in FEH |
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b. 498-499
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composition: Op. 11, Concerto in E minor, Mvt III
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In the main text, we give the fingering of FED, written probably by Chopin. A different fingering, written twice in FEH (here and in bars 502-503), may also come from lessons with Chopin. In EE, Fontana gives still another fingering, whose authenticity seems to be questionable, since the key place (e in the last triplet) features the 4th finger, much less convenient than the first one indicated in FED. category imprint: Differences between sources issues: Annotations in teaching copies , EE revisions , Annotations in FED , Differences in fingering , Annotations in FEH |
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b. 502-503
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composition: Op. 11, Concerto in E minor, Mvt III
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FEH exactly repeats the fingering written in bars 498-499. According to us, it is likely that the entries were performed in the reverse order – Chopin marked the fingering for the second time, which is frequent in his pupils' copies, while the pupil copied it in the first appearance of this figure an octave lower. A fragment of the fingering given in bar 498 was repeated here also in EE. category imprint: Differences between sources issues: Annotations in teaching copies , EE revisions , Differences in fingering , Annotations in FEH |
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