Issues : Inaccuracies in FE
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b. 132
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composition: Op. 11, Concerto in E minor, Mvt III
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A comparison with the dynamic markings in analogous bars 136 and 140 points to an inaccurate placement of the category imprint: Interpretations within context; Differences between sources; Editorial revisions issues: Inaccuracies in FE , GE revisions , Centrally placed marks |
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b. 132-136
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composition: Op. 11, Concerto in E minor, Mvt III
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In FE, there is no category imprint: Interpretations within context; Differences between sources issues: EE revisions , Accidentals in different octaves , Inaccuracies in FE , GE revisions |
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b. 137-140
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composition: Op. 11, Concerto in E minor, Mvt III
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From bar 137 onwards, hence without a sensible relation to music, the staccato marks, with which FE (→EE,GE1→GE2) provided the bass quavers, change from wedges to dots. It applies to bars 137-138 and 140, since the marks we would expect in bars 141-142 do not appear in that sources (see the note on those bars; moreover, the first quavers in bars 138 and 140 are discussed separately). According to us, the change of marks is probably a result of an inaccurate interpretation of [A]. Due to this reason, in the main text we continue marking those quavers with wedges. Such a unification was introduced also in GE3 (to a lesser extent due to omissions of marks in bars 138 and 140). category imprint: Differences between sources; Editorial revisions issues: Inaccuracies in FE , GE revisions , Wedges |
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b. 140
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composition: Op. 11, Concerto in E minor, Mvt III
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According to us, the staccato dot in FE (→EE) may be a result of a mistake of the engraver of FE; therefore, in the main text we suggest a wedge in this place – see also the note on bars 137-142. The absence of the mark in GE is most probably an oversight. category imprint: Differences between sources; Editorial revisions issues: Inaccuracies in FE , Errors in GE |
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b. 140
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composition: Op. 11, Concerto in E minor, Mvt III
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FE is missing a category imprint: Interpretations within context; Differences between sources issues: EE revisions , Accidentals in different octaves , Inaccuracies in FE , GE revisions |
on 2nd quaver in 
before the 9th semiquaver in bars 132 and 136. The patent inaccuracy was corrected both in 
