mUltimate Chopin

Op. 11, Concerto in E minor, Mvt III

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Page: 
Source: 
p. 5, b. 123-144
p. 1, b. 1-32
p. 2, b. 33-58
p. 3, b. 59-89
p. 4, b. 90-122
p. 5, b. 123-144
p. 6, b. 145-162
p. 7, b. 163-193
p. 8, b. 194-221
p. 9, b. 222-239
p. 10, b. 240-260
p. 11, b. 261-279
p. 12, b. 280-315
p. 13, b. 316-342
p. 14, b. 343-360
p. 15, b. 361-375
p. 16, b. 376-391
p. 17, b. 392-409
p. 18, b. 410-449
p. 19, b. 450-475
p. 20, b. 476-495
p. 21, b. 496-520
Main text
Main text
FE - French edition
FE1 - First French edition
FED - Dubois copy
FEFo - Forest copy
FEH - Hartmann copy
FEJ - Jędrzejewicz copy
FES - Stirling copy
GE - German edition
GE1 - First German edition
GE2 - Corrected impression of GE1
GE2a - Altered impression of GE2
GE3 - Second German edition
EE - English edition
EE1 - First English edition
EE2 - Corrected impression of EE1
EE3 - Revised impression of EE2
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FE - French edition
FE1 - First French edition
FED - Dubois copy
FEFo - Forest copy
FEH - Hartmann copy
FEJ - Jędrzejewicz copy
FES - Stirling copy
GE - German edition
GE1 - First German edition
GE2 - Corrected impression of GE1
GE2a - Altered impression of GE2
GE3 - Second German edition
EE - English edition
EE1 - First English edition
EE2 - Corrected impression of EE1
EE3 - Revised impression of EE2
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  b. 141-142

No marks in FE (→EE,GE1→GE2)

2 wedges in GE3

3 wedges suggested by the editors

The missing staccato marks for three bass notes must be considered an inaccuracy (of the engraver or of Chopin). In the main text, we add wedges – see the note on bars 137-140. Omission of the mark in bar 142 in GE3 is most probably related to the mistake of GE1 (→GE2) in bar 138.

Compare the passage in the sources»

category imprint: Differences between sources; Editorial revisions

issues: GE revisions

notation: Articulation, Accents, Hairpins

Missing markers on sources: FE1, FED, FEH, FEJ, FES, GE1, GE2, GE3, EE1, EE2, EE3, GE2a, FEFo
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