![](/build/images/logo_left-en.png)
![](/build/images/pl-button.5cab5de0.png)
![](/build/images/pomoc-button.d3d09842.png)
![](/build/images/pomoc-button-en.5098433b.png)
Issues : Annotations in FEH
b. 498-499
|
composition: Op. 11, Concerto in E minor, Mvt III
..
In the main text, we give the fingering of FED, written probably by Chopin. A different fingering, written twice in FEH (here and in bars 502-503), may also come from lessons with Chopin. In EE, Fontana gives still another fingering, whose authenticity seems to be questionable, since the key place (e category imprint: Differences between sources issues: Annotations in teaching copies , EE revisions , Annotations in FED , Differences in fingering , Annotations in FEH |
|||||||||||
b. 500
|
composition: Op. 11, Concerto in E minor, Mvt III
category imprint: Differences between sources |
|||||||||||
b. 502-503
|
composition: Op. 11, Concerto in E minor, Mvt III
..
FEH exactly repeats the fingering written in bars 498-499. According to us, it is likely that the entries were performed in the reverse order – Chopin marked the fingering for the second time, which is frequent in his pupils' copies, while the pupil copied it in the first appearance of this figure an octave lower. A fragment of the fingering given in bar 498 was repeated here also in EE. category imprint: Differences between sources issues: Annotations in teaching copies , EE revisions , Differences in fingering , Annotations in FEH |