Issues : Annotations in FEH

b. 498-499

composition: Op. 11, Concerto in E minor, Mvt III

Fingering written into FED

Fingering written into FEH

No fingering in FE (→GE)

Fontana's fingering in EE

..

In the main text, we give the fingering of FED, written probably by Chopin. A different fingering, written twice in FEH (here and in bars 502-503), may also come from lessons with Chopin. In EE, Fontana gives still another fingering, whose authenticity seems to be questionable, since the key place (e​​​​​​​ in the last triplet) features the 4th finger, much less convenient than the first one indicated in FED.

category imprint: Differences between sources

issues: Annotations in teaching copies , EE revisions , Annotations in FED , Differences in fingering , Annotations in FEH

b. 500

composition: Op. 11, Concerto in E minor, Mvt III

Fingering written into FEH

No teaching fingering

category imprint: Differences between sources

issues: Annotations in teaching copies , Annotations in FEH

b. 502-503

composition: Op. 11, Concerto in E minor, Mvt III

Fingering written into FEH

No fingering in FE (→GE)

Fontana's fingering in EE

..

FEH exactly repeats the fingering written in bars 498-499. According to us, it is likely that the entries were performed in the reverse order – Chopin marked the fingering for the second time, which is frequent in his pupils' copies, while the pupil copied it in the first appearance of this figure an octave lower. A fragment of the fingering given in bar 498 was repeated here also in EE.

category imprint: Differences between sources

issues: Annotations in teaching copies , EE revisions , Differences in fingering , Annotations in FEH