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b. 390-391

composition: Op. 11, Concerto in E minor, Mvt III

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FE is missing the sharps raising e3 to e​​​​​​​3. The accidentals were added in the remaining editions.

category imprint: Interpretations within context; Differences between sources

issues: EE revisions , Accidentals in different octaves , Inaccuracies in FE , GE revisions , Omission of current key accidentals

b. 395

composition: Op. 11, Concerto in E minor, Mvt III

Accent on a2 in FE (literal reading→EE)

Accent on b1 in GE

Long accent on b1 in FE, possible interpretation

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The meaning of the accent of FE (→EE) placed under a2, at the pitch of b1, is unclear. When interpreted literally, it is a short accent on a​​​​​​​2, which we give in the main text. However, it is possible that we are dealing with an inaccurately reproduced long accent under b1 (cf. the notation of some of the accents in the Concerto in F Minor, Op. 21, the 1st mov., bars 4-5 or in the Etude in A Minor, Op. 10 No. 2, bars 45-46). The latter is supported by an analogy with the previous bar. The mark was similarly interpreted in GE

category imprint: Graphic ambiguousness; Differences between sources

issues: Long accents , GE revisions

b. 395-399

composition: Op. 11, Concerto in E minor, Mvt III

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In the main text, we add a cautionary ​​​​​​​ before b1 in bars 395 and 399. The accidentals were added also in GE3.

category imprint: Differences between sources; Editorial revisions

issues: GE revisions

b. 402

composition: Op. 11, Concerto in E minor, Mvt III

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In the main text, we add a cautionary ​​​​​​​ before b1.

category imprint: Editorial revisions

b. 403

composition: Op. 11, Concerto in E minor, Mvt III

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In the main text, we add a cautionary ​​​​​​​ before e2.

category imprint: Editorial revisions