Issues : EE revisions

b. 333

composition: Op. 11, Concerto in E minor, Mvt III

..

EE1 (→EE2) is missing the cautionary  before f​​​​​​​1. The accidental, present in FE (→GE), was added also in EE3. In an analogous situation 2 bars later, a respective  is present in all sources.

category imprint: Differences between sources

issues: EE revisions , Errors in EE , Cautionary accidentals

b. 334-335

composition: Op. 11, Concerto in E minor, Mvt III

e2 repeated in FE (→GE1GE2)

e2 tied in EE & GE3

Tied e2 suggested by the editors

..

We consider the missing tie of e2 to be a mistake of FE (→GE1GE2). The tie is in an analogous situation 2 bars earlier, while in the discussed place it is present in the sources of the orchestral part – clarinet I in FEorch (→GEorch) and MFrorch and MFrw.

category imprint: Differences between sources; Editorial revisions

issues: EE revisions , GE revisions

b. 335

composition: Op. 11, Concerto in E minor, Mvt III

Quaver d​​​​​​​1 in FE (→GE1GE2) & EE3

Crotchet d​​​​​​​1 ​​​​​​​in EE1 (→EE2) & GE3

..

Like in bar 333, prolongation of d1 is unjustified here – the sound result of that procedure is imperceptible when preserving the authentic dynamics.

category imprint: Differences between sources

issues: EE revisions , GE revisions

b. 354-355

composition: Op. 11, Concerto in E minor, Mvt III

No slur or tie in FE (→GE)

Tie to ​​​​​​​G1 in EE (probable reading)

Slur in EE (different reading)

..

The curved line added in EE was probably supposed to indicate a hold of the G​​​​​​​1 quaver until the next bar. However, it is not entirely certain, since the status of the authentic staccato dot under that note is uncertain – one dot merged with the slur running over the stave placed below, whereas the second one, placed next to it, is so poorly visible that one can consider it to be a remaining element after the removal of that mark.

category imprint: Graphic ambiguousness; Differences between sources

issues: EE revisions

b. 356

composition: Op. 11, Concerto in E minor, Mvt III

No fingering in FE (→GE)

Fontana's fingering in EE

..

The first finger indicated by Fontana in EE only confirms the fingering scheme marked by Chopin in print.

category imprint: Differences between sources

issues: EE revisions