Issues : Annotations in teaching copies

b. 364

composition: Op. 11, Concerto in E minor, Mvt III

Fingering written into FED

No fingering in FE (→GE)

Fontana's fingering in EE

..

Single fingering digits in FED and EE complement the Chopinesque indications contained in FE (→GE,EE).

category imprint: Differences between sources

issues: Annotations in teaching copies , EE revisions , Annotations in FED

b. 366

composition: Op. 11, Concerto in E minor, Mvt III

Fingering written into FEH

No fingering in FE (→GE)

Fontana's fingering in EE

..

Fontana's fingering, indicated only next to the notes written on the bottom stave, defines a scheme for the entire passage. In FEH, the same fingering was marked also in the 2nd half of the bar.

category imprint: Differences between sources

issues: Annotations in teaching copies , EE revisions , Annotations in FEH

b. 367

composition: Op. 11, Concerto in E minor, Mvt III

c in FE (→GE)

e in EE

..

The version of EE is erroneous – cf. analogous bar 359; the mistake was probably caused by the similarity of subsequent triplets. In FEH, an annotation in the form of 'ut,' i.e. c, was written next to that note, which can be interpreted as a note that it is not an e.

category imprint: Differences between sources; Source & stylistic information

issues: Annotations in teaching copies , Errors in EE , Terzverschreibung error , Annotations in FEH

b. 368

composition: Op. 11, Concerto in E minor, Mvt III

Fingering written into FEH

No fingering in FE (→GE)

Fontana's fingering in EE

..

Like in analogous bar 360, the fingerings of EE and FEH are certainly compliant.

category imprint: Differences between sources

issues: Annotations in teaching copies , EE revisions , Annotations in FEH

b. 370

composition: Op. 11, Concerto in E minor, Mvt III

Fingering written into FEH

No fingering in FE (→GE)

Fontana's fingering in EE

category imprint: Differences between sources

issues: Annotations in teaching copies , EE revisions , Annotations in FEH