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Issues : Annotations in FEH
b. 372
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composition: Op. 11, Concerto in E minor, Mvt III
category imprint: Differences between sources |
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b. 373-374
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composition: Op. 11, Concerto in E minor, Mvt III
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In FE, the slurring of these bars is inaccurate – the slur in the 2nd half of bar 373 ends between the penultimate and the last semiquaver, whereas in bar 374, on a new line of text, there is a slur, reaching the 1st quaver, suggesting continuation from the previous bar. We consider the interpretation adopted in EE to be the text of FE, while the version of GE may be considered an alternative interpretation. As the 2nd triplet in bar 373 left without slur is also questionable, in the main text we suggest a slurring modelled after analogous bars 377-378. category imprint: Differences between sources; Editorial revisions issues: Annotations in teaching copies , Errors in GE , Annotations in FEH |
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b. 373
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composition: Op. 11, Concerto in E minor, Mvt III
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In GE and – probably on the basis thereof – in EE2 (→EE3), cautionary sharps were added before g category imprint: Differences between sources; Editorial revisions issues: Annotations in teaching copies , EE revisions , GE revisions , Cautionary accidentals , Annotations in FEH |
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b. 374-375
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composition: Op. 11, Concerto in E minor, Mvt III
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Out of the fingering digits written in FEH, we adopt to the main text the group that stands out due to resemblance to Chopin's handwriting. category imprint: Differences between sources |
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b. 374-375
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composition: Op. 11, Concerto in E minor, Mvt III
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The cautionary sharps before the c category imprint: Differences between sources issues: Annotations in teaching copies , EE revisions , GE revisions , Cautionary accidentals , Annotations in FEH |