Issues : Annotations in FEH
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b. 368
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composition: Op. 11, Concerto in E minor, Mvt III
category imprint: Differences between sources issues: Annotations in teaching copies , EE revisions , Annotations in FEH |
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b. 370
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composition: Op. 11, Concerto in E minor, Mvt III
category imprint: Differences between sources issues: Annotations in teaching copies , EE revisions , Annotations in FEH |
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b. 370
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composition: Op. 11, Concerto in E minor, Mvt III
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The finger swap written in FEH reminds of the need for a strict implementation of the tied bass note – see bars 361-363. category imprint: Differences between sources |
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b. 371
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composition: Op. 11, Concerto in E minor, Mvt III
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In FEH, the bottom F minim is crossed out. Like in a few other cases, it is just an additional reminder that the note should not be played and not an actual abandonment of the tie, according to us. Such a transfer of the bass note while preserving a common note is one of the characteristic Chopinesque procedures, c.f. e.g. bars 360-363 i 368-369 as well as the Etude in C Major, Op. 10 No. 1, bars 49-50 and 65-66 or the Fantasy in A Major, Op. 13, bars 114-119. category imprint: Source & stylistic information |
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b. 372-373
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composition: Op. 11, Concerto in E minor, Mvt III
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In the main text, we include the digits written in FEH that, according to us, could have been written by Chopin. category imprint: Differences between sources |
