Issues : Annotations in FEH

b. 332-335

composition: Op. 11, Concerto in E minor, Mvt III

c​​​​​​​1 tied in FE (→EE)

c​​​​​​​1 repeated in GE

..

The ties of c​​​​​​​1 in bars 332-333 and 334-335 were most probably added by Chopin in the last phase of proofreading of FE (→EE). In bar 335, it is the sustained c​​​​​​​1 that was crossed out in FEH, which is most probably just a

category imprint: Differences between sources; Source & stylistic information

issues: Annotations in teaching copies , Authentic corrections of FE , Annotations in FEH

b. 340-341

composition: Op. 11, Concerto in E minor, Mvt III

Fingering written into FEH

No teaching fingering

category imprint: Differences between sources

issues: Annotations in teaching copies , Annotations in FEH

b. 341

composition: Op. 11, Concerto in E minor, Mvt III

Fingering digit added to FEH

No teaching fingering

category imprint: Differences between sources

issues: Annotations in teaching copies , Annotations in FEH

b. 352-353

composition: Op. 11, Concerto in E minor, Mvt III

Fingering written into FEH

No teaching fingering

..

The fingering of FEH partially repeats and complements the printed Chopinesque indications, determining their most natural continuation.

category imprint: Differences between sources

issues: Annotations in teaching copies , Annotations in FEH

b. 353-354

composition: Op. 11, Concerto in E minor, Mvt III

Fingering written into FED

Fingering written into FEH

No teaching fingering

..

The fingering of FEH complements the Chopinesque entry from FED; its authenticity seems to be highly likely. 

category imprint: Differences between sources

issues: Annotations in teaching copies , Annotations in FED , Annotations in FEH