Issues : Annotations in FEH
b. 251
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composition: Op. 11, Concerto in E minor, Mvt III category imprint: Differences between sources issues: Annotations in teaching copies , Annotations in FED , Annotations in FEH |
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b. 254-259
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composition: Op. 11, Concerto in E minor, Mvt III
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Fontana's fingering in EE is most probably compliant with the one entered in FEH, although the indications themselves do not overlap. Providing indications only just in the second (identical) passage is noteworthy – it is a frequent phenomenon among the Chopinesque teaching entries. category imprint: Differences between sources issues: Annotations in teaching copies , EE revisions , Annotations in FEH |
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b. 256-257
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composition: Op. 11, Concerto in E minor, Mvt III
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The octave sign added in FEH most probably defines an authentic variant. According to us, it is much more likely that it was meant to move the entire figure of both hands by an octave, and not only of the R.H. category imprint: Interpretations within context; Differences between sources; Corrections & alterations issues: Annotations in teaching copies , Authentic post-publication changes and variants , Annotations in FEH |
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b. 256
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composition: Op. 11, Concerto in E minor, Mvt III
category imprint: Differences between sources |
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b. 260
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composition: Op. 11, Concerto in E minor, Mvt III category imprint: Differences between sources |