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b. 254-259

composition: Op. 11, Concerto in E minor, Mvt III

Fingering written into FEH

No fingering in FE (→GE)

Fontana's fingering in EE in bar 258

Fontana's fingering in EE is most probably compliant with the one entered in FEH, although the indications themselves do not overlap. Providing indications only just in the second (identical) passage is noteworthy – it is a frequent phenomenon among the Chopinesque teaching entries.

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category imprint: Differences between sources

issues: Annotations in teaching copies , EE revisions , Annotations in FEH

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b. 256

composition: Op. 11, Concerto in E minor, Mvt III

Fingering written into FEH

No teaching fingering

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category imprint: Differences between sources

issues: Annotations in teaching copies , Annotations in FEH

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b. 260

composition: Op. 11, Concerto in E minor, Mvt III

No teaching fingering

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category imprint: Differences between sources

issues: Annotations in teaching copies , Annotations in FEH

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b. 264-266

composition: Op. 11, Concerto in E minor, Mvt III

Fingering written into FEH

No fingering in FE (→GE)

Fontana's fingering in EE

The fingerings of FEH and EE differ either only in the finger on b¹ (the 5th finger on c² may be used both after the 4th and the 1st finger) or also in their further course (after the 1st finger on b¹, the following c² may be played with, e.g. the 3rd finger). The fingering of FEH was entered twice – in bars 264 and 266.